Of Nyarlathotep and Azathoth

The Haunting of Exham Priory‘, the play that I’ve been working on with Rumpus Theatre Company finally opened on Tuesday of this week. After so much work it was a real thrill to see it all come together. Although I’d been there for the first rehearsals, I hadn’t seen the dress rehearsals so I was seeing it come together for the first time, just like the rest of the audience.14585681_10100469008003010_283630898_o

I’d like to think Lovecraft would have been pleased with what we did, and I’m glad I’ve had the opportunity to cling to his coattails with my cold, cadaverous grasp.

I sat on the back row for the first show, just so I could more easily take in the audience’s reactions. I was pleased to see the light-hearted moments get laughs and the twist in the final scene receive a ripple of shocked muttering, just as I’d hoped. Interestingly though, some parts that I thought would get big laughs just got a murmur, while lines I considered throw-away gags got a big reaction. I sometimes suffer a similar problem with Baby001 – some episodes that I think are the wittiest receive the fewest likes, while the ones I am least happy with get plenty of comments and shares. Talking to the director afterwards, he observed that you never know where and when an audience will laugh at a script, and it’ll vary from performance to performance. I’ll be seeing the show again later in the run, and I’ll be intrigued to see how the response varies again. But for now, I have released it to prosper on its own, like a Night Gaunt flitting away into the dark.

So, to reiterate, I was 100% pleased with how everything turned out on opening night. I was also pleased to be vindicated regarding my concerns over a certain aspect of Lovecraft mythos!
In the original text for ‘The Rats in the Walls’, Nyarlathotep receives a description that is very similar to the description normally reserved for Azathoth, an entirely different deity in the Lovecraft pantheon. This is literally the only time – to my knowledge – that Nyarlathotep is described this way in the canon. So I was left with a choice; preserve the original description and risk some Lovecraft fans believing I’d made a mistake, or change the description which otherwise fits beautifully with the story?
I mused aloud to my wife about this as I was writing. “What? No-one will notice that!” she said after I explained the problem. I wasn’t so certain but decide to preserve the unusual description of Nyarlathotep.

Sure enough, post play, one of the first questions I was asked by a fan was whether I’d got Azathoth and Nyarlathotep confused. I laughed and tried to explain the issue, but it’s not so easy to convey in a busy theatre lobby.

Damned if you do and damned if you don’t. I think Lovecraft would be pleased with that, too.

 

Rehearsals Begin for Exham Priory

Today I had the privilege of sitting in on the first rehearsals for my play, ‘The Haunting of Exham Priory’ with Rumpus Theatre Company (@RumpusTheatreCo on Twitter). It was a lot of fun to see the process of rehearsing, and very exciting to see the play finally being performed in front of me, rather than just in my head. I also had to, quite understandably, provide some input on the pronunciation of the more esoteric words from Lovecraft’s lexicon.

Devising minor edits on the fly was a new and interesting writing challenge. My writing style is best described as “slow and steady”, but I had to think fast today when the need arose to make changes to lines that didn’t quite sound right when read aloud.

As I said, an interesting challenge, but I think I just about managed to cope!

David Gilbrook as Mr Delapore and Nicholas Bourne as Captain Norrys.

Summing-up Lovecraft

I’ve just been trying to write a few lines of background about HP Lovecraft and ‘The Haunting of Exham Priory’ for the show program. It wasn’t easy to put everything succinctly, but this is what I came up with…

Howard Philip Lovecraft was a 20th century American horror writer, most famous for his short stories The Call of Cthulhu and At the Mountains of Madness. ‘The Haunting of Exham Priory’ is based on Lovecraft’s story The Rats in the Walls. Written and set in 1923, it was first published in the March 1924 edition of the horror magazine ‘Weird Tales’.
Although Lovecraft only achieved real fame posthumously, The Rats in the Walls received much acclaim when it was published. Years later, Lovecraft wrote that the story was “suggested by a very commonplace incident — the cracking of wall-paper late at night, and the chain of imaginings resulting from it.”

Exham Priory Poster Spotted in the Wild

img_5617

I spotted the poster for my play in the foyer of the Pomegranate Theatre in Chesterfield when I was there at the weekend. It’s now my general life goal to increase the number of public buildings where my name appears on the wall (excluding police stations and halls of remembrance).

I was there to see ‘Raffles: The mystery of the murdered thief’ by Rumpus Theatre Company which was highly entertaining and well worth catching while it’s on tour.

The Haunting of Exham Priory

exham-priory

The play that I have written will be starting a national tour in the autumn with the Rumpus Theatre Company. Opening night will be at The Hawth Theatre in Crawley on 4th October 2016.

‘The Haunting of Exham Priory’ is a Gothic Horror based on the classic short story ‘The Rats in the Walls’ by early 20th century horror writer HP Lovecraft.
For those not familiar with the story, set in the 1920s, it’s the tale of Mr Delapore, an American business man who returns to England to restore his long abandoned family home, Exham Priory. With the aid of his friend Captain Norrys he attempts to uncover why the Priory is hated and feared by the locals, what caused his ancestors to abandon the house 300 years ago and just what it is in the walls that so unsettles his cats…

So if you’re a fan of Lovecraft or just feel like a night of spine-tingling horror at your local theatre then take a look at the tour venues and dates below.

The map below shows all the venues on the ‘The Haunting of Exham Priory’ national tour. The dates of each performance are listed below the map. Click on the theatre name to book tickets for that performance or click on the town name for directions to the venue.

Tuesday 4th Oct – The Hawth, Crawley

Thursday 6th Oct – Trinity Theatre, Tunbridge Wells

Friday 7th Oct – The Rose Theatre, Kidderminster

Monday 17th Oct – The Civic Theatre, Rotherham

Tuesday 18th Oct – The Granary Theatre, Well-next-the-Sea

Wednesday 19th Oct – Guildhall Theatre, Derby

Thursday 20th Oct – Town Hall Theatre, Hartlepool

Sunday 23rd Oct – Greenwich Theatre, London

Monday 24th Oct – The Customs House, South Shields

Tuesday 25th Oct – Middlesbrough Theatre, Middlesbrough

Wednesday 26th Oct – The Old Town Hall Theatre, Hemel Hempstead

Thursday 27th Oct – Radlett Centre, Radlett

Friday 28th Oct – Quay Theatre, Sudbury

Saturday 29th Oct – The Pomegranate Theatre, Chesterfield

Saturday 5th Nov – Sarah Thorne Theatre Club, Broadstairs

Blackshaw New Writing Night

If you enjoy the writing on this blog and you’d like to hear more of  my work then you may want to drop by the Blackshaw New Writing Night this Wednesday evening at the Horse Bar, near London Waterloo.

Along with the many other fine examples of new writing being performed you’ll hear a short extract from my new novel-in-progress “Ancient Things”.

Hope to see you there!

Winter Hill

I’ve had this idea for a novel on the back burner for a while now. Winter Hill will tell the story of a snow-bound village and the nearby Bronze Age burial mounds where the dead do not rest easy…

***

I froze as I heard the sound again. On the surface it was innocuous enough; the scrape of aged iron and the snap of dry twigs. But something about it froze my bones to the marrow, despite the warmth of the fire. I crept to the window and gingerly peered around the side of the curtain, being careful not to let out too much light. The glass instantly fogged from my breath. I wiped it away and consciously slowed my breathing. It was bright outside, the world rendered in the crisp whiteness of virgin snow and pale moonlight. Skeletal trees stood as solid as statues in the frozen midnight air and in the distance I could see the soft glow of village lights radiating from Winter Hill.

As I looked towards the distant lights my eyes were suddenly drawn to a trail in the garden snow. Thin, broken and halting, the ragged footfalls seemed to stumble towards the distant cottages. Of the creature that made them, there was no sign.
I hurried to the kitchen and the back window that overlooked Barrow Downs. Whoever had made the trail in the snow had certainly come from this direction, but the start of the trail was concealed in the shadow of the trees. As I stared into the gloomy wood I became aware of a vague suggestion of movement. Emaciated limbs and slender shapes swayed back and forth like bare branches in the winter wind, yet the trees above remained unmoving in the still, windless night…

Ancient Things

This is the opening to a new novel I’m working on called Ancient Things. It’s a look at the lighter side of the End Times. Feedback always appreciated.

***

I

Something malformed and dark flapped awkwardly past the window, but no one looked up.

Robert rubbed the dark stubble on his thin, pale face as he stared through, rather than at, the monitor in front of him. This project to replace the Circle line was going to be huge, and the finished numbers were required by the end of the month. He looked up at the calendar. It was open on November, but someone had crossed out the month and written ‘The End Times’ instead. Robert thought that was a fair assessment.

He allowed himself a moment of contemplation, starting out of the office window. It was dark outside, his reflection stared back at him in his cubicle, looking a lot like Robert felt.
“Would a fifth coffee help?” he asked. His reflection nodded.
Somewhere behind him, someone was losing their temper with a computer.

The moon was out tonight, casting it’s lurid eyes over the city. The man in the moon had a crooked smile these days. When gibbous it was a disconcerting leer. When full it was positively terrifying; a sea-swallowing maw with mountainous teeth that nobody like to contemplate. On the brightest evenings his laughter drifted over the rooftops. No one went out on those night.
NASA had quietly dropped their plans to return to the moon. They didn’t want to risk offending him.

“This bloody computer!” exclaimed Sophie, casting her mouse away, “I wish it would-”
She stopped mid-sentence, blue eyes wide and hand over her mouth. Robert spun around in his chair and nodded at the ‘No Wishing’ sign on the wall, right beneath the ‘No Smoking’ sign. Something had taken it upon itself to start granting wishes, but only the most ill intended ones. Robert quite liked their improvised warning sign; it had once warned against pacemaker wearers approaching too close to the office microwave. The red bar across the heart seemed apt.

“Time to call it a night I think,” said Robert wearily. Sophie agreed. The coffee could wait for another day.

The flapping shape was back. It pawed and hooted at the glass. Someone looked up for a brief moment, then looked down at their work again. It gave one final hoot and with a flap of its sinuous wings was gone into the night. A greasy smear on the window marked its passing. Robert paid it no notice as he pulled on his coat and made for the exit with Sophie.

“Goodnight, Danger,” smiled Sophie as they left the building, flicking her blonde hair mischievously. When the gods had come amongst them there had been every reaction imaginable. Months of blind panic, outright hysteria and reckless abandon. Many had thought the last days of the world were upon them; inhibitions had been forgotten, passions indulged and caution thrown to the wind. Robert had changed his middle name to ‘Danger’, something he’d always wanted to do. It seemed trivially stupid now, but he’d never really been one for uninhibited spontaneity, or danger, now he came to think about it. He wished he told Sophie how he really felt about her instead. Everyone else in the office had.

Not all of mankind had given in to long suppressed desires. Many had simply gone mad. Millions more had taken their own lives and others had even fallen to the worship of their new masters. Still more had gone to fight. Three years humans had made war on the gods. Three long, bitter years in which the armies of mankind had dashed themselves against an enemy that did not know the limitations of mortality. Vast tracts of the fertile American heartland were now ash-blown wasteland, the Eurasian Steppe was a grizzly carpet of bleached bones and the Mediterranean was a haunted graveyard of iron and rust. Everywhere they mustered the armies of humanity knew only defeat. But the gods and their minions were magnanimous in victory. The did not desire the annihilation of man, merely his adoration.

“Night Soph,” answered Robert, walking in the opposite direction. He kept going past the entrance to the tube. He used to take the Circle line, but something had moved into the tunnel that was all tentacles and teeth. Walking was safer.

A line of hooded acolytes strode passed on the other side of the street, the rune of the Thaumaturge stitched into their robes. The Thaumaturge was the only member of the pantheon who had taken residence in the United Kingdom, far to the north in Scotland. A dark tower of dark slate and impossible angles pierced the sullen highland clouds. No-one ventured there except his acolytes, and none of them ever returned. It put an entirely different spin on the question of Scottish independence.

The Thaumaturge ruled the British Isles through his acolytes. After the three years of war all of the country’s officials and high ranking public servants who were still alive had been revealed as acolytes, or had been quietly replaced by those who were. There was nothing that could be done about it really.The military were reduced to bones and echos and the acolytes could wield ferocious elemental powers that appeared to be magic. The phrase ‘a wizard did it’ had soon found its way out of geek circles and into common parlance.

The reign of this magical god wasn’t as terrifying as many feared. Sure, the acolytes crushed all dissent, and yes people did go missing with alarming frequency, and it was true that the shadows were filled with strange and terrifying creatures, but society still mostly functioned. The wheels of industry turned, taxes were paid and the trains ran on time to the new 13 hour clocks.

Robert unlocked his front door and walked in. His one bedroom flat was in darkness. He flicked the light switch, but the darkness remained. Things got darker still when the bag came down over his head.
Robert flailed in wild panic, but strong arms pinned his limbs in place. He could offer no meaningful resistance as two – maybe three – people bundled him out of his home and into the back of a vehicle.
So this is how I die, thought Robert, a wizard is going to do it.

“What’s going on? Who are you?!” demanded Robert, panting for fresh air as the bag was pulled from his head. The car journey had been claustrophobic and terrifying. It couldn’t have lasted more than ten or twenty minutes, but in the dark soup of panic it had felt like a lifetime.
Two men stood in front of him dressed in dark clothes, although they were not the robes of acolytes. One of them was holding a ‘bag for life’ that they had pulled from Robert’s head.
“We represent the Atheist Alliance,” declared one of the men in a deep, care-worn voice.
Atheist. That was a word you didn’t hear much these days. It had fallen out of use now that the existence of gods couldn’t be argued against.
“Atheists?” spluttered Robert, “How’s that non-believing working out for you?”
“Our oppressors aren’t gods,” said one of his captors defensively.
“Really?” laughed Robert, “because you know, if it looks like a duck, quacks like a duck and wields terrifying unearthly magic like a duck…”
“Remind me to stay away from duck ponds in your neighbourhood,” growled the first man.
“They’re not gods,” repeated the second man, “they’re extra dimensional creatures of unusual power, but they’re not gods.”
“I see…” mused Robert, “and how does kidnapping me fit into the atheist philosophy?”
“We plan to destroy the Thaumaturge; and you’re going to help us” said the first man, “My name is Duncan, by the way.”